Heidi Weber Museum Roof

During this period she organized numerous exhibitions to convey le corbusier s work and ideas as a total work of art to a broad public. A floating parasol roof structure and beneath it a two story rectilinear volume sitting on a concrete pavilion floor. Heidi weber museum 1964 2014.

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Since 2019 the listed pavillon le corbusier is operated by the museum für gestaltung zürich on behalf of the city of zurich.

Heidi weber museum roof.

And as this is in such a way the negative voices found particularly big attention in the daily press. During the building permit phase of the museum there was much wrangling and heated debates in the local council of the city of zurich. Heidi weber directed and curated the museum for 50 years. Also known as the.

Under the roof the body of the museum is organized in cubic modules of 2 26 meters per side corresponding to the measurements of the modulor. Heidi weber s relationship with le corbusier developed around his art and she constantly felt that there was more to be done and that there were new areas which required her attantion. The roof also functions as a sunshade for the patios this is hard to see in my pics. As heidi weber recalls it was the good economic results and the great success of her work as an interior decorator which allowed her to even conceive of entrusting the architect with the project of a building.

The building is composed of two major volumetric elements. Of course there were many positive votes but also plenty of negative. It s like two buildings for a start with a huge overarching roof a double parasol as le corbusier called it one sloping upward the other downward that shelters the pavilion itself. The pavillon le corbusier is a swiss art museum in zürich seefeld at zürichhorn dedicated to the work of the swiss architect le corbusier in 1960 heidi weber had the vision to establish a museum designed by le corbusier this building should exhibit his works of art in an ideal environment created by the architect himself in the then centre le corbusier or heidi weber museum.

The story behind the final building of le corbusier the pseudonym of charles édouard jeanneret gris begins with one woman his great patron. In 1960 she conceived the idea of a museum designed by le corbusier which could contain the entire collection of his plastic works his tapestries his. Heidi weber approached corb to design a museum. Its arrangement reflects the theory of infinite growth something that had been proposed in museums in tokyo and chandigarh.

Paintings drawings and sculpture making it a gesamtkunstwerk. Instead of a private villa she came up with the idea of creating a public building. That would house his. Heidi weber the interior designer collector and owner of the zurich galerie mezzanin who commissioned him to design the pavilion in 1960 originally designated as the centre le corbusier or the heidi weber museum.